Hello, stranger!

Le Fabuleux destin d'Amélie Poulain

Amélie: It's better to help people than garden gnomes.

Amélie: [whispering in theater] I like to look for things no one else catches. I hate the way drivers never look at the road in old movies.

[screaming, after Amélie spills tea on her]
Georgette: Bravo! Vive la France! You scalded me! Bravo! Ten out of ten! Ten out of ten! Bull's eye!

Hipolito, The Writer: Without you, today's emotions would be the scurf of yesterday's.

Amélie: I am nobody's little weasel.

Narrator: Amélie still seeks solitude. She amuses herself with silly questions about the world below, such as "How many people are having an orgasm right now?"
[scenes of various orgasms taking place]
Amélie: Fifteen.

The Sacré-Coeur Boy: The fool looks at a finger that points at the sky.

Raymond Dufayel aka Glass Man: So, my little Amélie, you don't have bones of glass. You can take life's knocks. If you let this chance pass, eventually, your heart will become as dry and brittle as my skeleton. So, go get him, for Pete's sake!

Narrator: Amelie has one friend, Blubber. Alas the home environment has made Blubber suicidal.
[Pet fish leaps out of fish bowl in an attempt at suicide]

Raymond Dufayel aka Glass Man: You mean she would rather imagine herself relating to an absent person than build relationships with those around her?

Narrator: With a prompter in every cellar window whispering comebacks, shy people would have the last laugh.

Amélie Poulain: At least you'll never be a vegetable - even artichokes have hearts.

Amélie: [to her father, who is not paying attention] I had two heart attacks, an abortion, did crack... while I was pregnant. Other than that, I'm fine.

[Amélie hands a begger some money]
Beggar: Sorry madam, I don't work on Sundays.

Hipolito (The Writer): We pass the time of day to forget how time passes.

Old Man at the Two Windmills: Still, true love does exist.
Suzanne, Owner Two Windmills bar: I know. After 30 years behind a bar, I'm an expert. I'll even give you the recipe. Take two regulars, mix them together and let them stew. It never fails.

Bretodeau, The Box Man: Life's funny. To a kid, time always drags. Suddenly you're fifty. All that's left of your childhood... fits in a rusty little box.

[first lines]
Narrator: On September 3rd 1973, at 6:28pm and 32 seconds, a bluebottle fly capable of 14,670 wing beats a minute landed on Rue St Vincent, Montmartre. At the same moment, on a restaurant terrace nearby, the wind magically made two glasses dance unseen on a tablecloth. Meanwhile, in a 5th-floor flat, 28 Avenue Trudaine, Paris 9, returning from his best friend's funeral, Eugène Colère erased his name from his address book. At the same moment, a sperm with one X chromosome, belonging to Raphaël Poulain, made a dash for an egg in his wife Amandine. Nine months later, Amélie Poulain was born.

[last lines]
Narrator: September 28th, 1997. It is exactly 11am. At the funfair, near the ghost train, the marshmallow twister is twisting. Meanwhile, on a bench in Villette Square, Félix Lerbier learns there are more links in his brain than atoms in the universe. Meanwhile, at the Sacré Coeur, the nuns are practising their backhand. The temperature is 24°C, humidity 70%, atmospheric pressure 990 millibars.

The Newsstand Woman: A woman without love wilts like a flower without sun.

Man in photo: She is in love.
Nino Quincampoix: I don't even know her!
Man in photo: Oh, you know her.
Nino Quincampoix: Since when?
Man in photo: Since always.
Man in photo: In your dreams.

Amélie Poulain: She doesn't relate to other people. She was always a lonely child.

Seller in the porno shop: These are hard times for dreamers.

Raymond Dufayel aka Glass Man: So that's the one, there, the guy who raises his hand?
Amélie: Yes.
Raymond Dufayel aka Glass Man: Is she in love with him?
Amélie: Yes.
Raymond Dufayel aka Glass Man: The time has come for her to take some real risks.
Amélie: Well yes, she's thinking about it. She's thinking of a stratagem.
Raymond Dufayel aka Glass Man: Yes, she likes stratagems, doesn't she?
Amélie: Yes.
Raymond Dufayel aka Glass Man: She's a bit of a coward. That's why I have trouble with her eyes.

Josef Stalin dubbed in propaganda film excerpt: If Amélie chooses to live in a dream-world and remain an introverted young woman, she has every right to mess up her life!

Narrator: Nino is late. Amelie can only see two explanations. 1 - he didn't get the photo. 2 - before he could assemble it, a gang of bank robbers took him hostage. The cops gave chase. They got away... but he caused a crash. When he came to, he'd lost his memory. An ex-con picked him up, mistook him for a fugitive, and shipped him to Istanbul. There he met some Afghan raiders who too him to steal some Russian warheads. But their truck hit a mine in Tajikistan. He survived, took to the hills, and became a Mujaheddin. Amelie refuses to get upset for a guy who'll eat borscht all his life in a hat like a tea cozy.

Narrator: Philoméne likes the sound of the cat's bowl on the tiles. The cat likes overhearing children's stories.

Raymond Dufayel aka Glass Man: Lady Di! Lady Di! Renoir!

Joseph: You're gorgeous when you blush. Like a wild flower.
Georgette: [shaking head] It's my dyspepsia.

Narrator: [Amélie has found Nino's photo album and his "lost" posters] Any normal girl would call the number, meet him, return the album and see if her dream is viable. It's called a reality check. The last thing Amélie wants.

Narrator: For Bretodeau, that little box brought back a lot of memories - Federico Bahamontes winning the '59 Tour de France, and of course, the tragic day when he won all the marbles at playtime
The Teacher: [Bretodeau tries to put all his marbles away before the Teacher sees him] Bretodeau!
[approaches him and gets his ear]
The Teacher: You know the pinch, Bretodeau!

Amélie: I'm busy

Amélie: [to blind man] Let me help you. Step down. Here we go! The drum major's widow! She's worn his coat since the day he died. The horse's head has lost an ear! That's the florist laughing. He has crinkly eyes. In the bakery window, lollipops. Smell that! They're giving out melon slices! Sugarplum, ice cream! We're passing the park butcher. Ham, 79 francs. Spareribs, 45! Now the cheese shop. Picadors are 12.90. Cabecaus 23.50. A baby's watching a dog that's watching the chickens. Now we're at the kiosk by the metro. I'll leave you here. Bye!

Narrator: Amelie has a strange feeling of absolute harmony. It's a perfect moment. A soft light, a scent in the air, the quiet murmur of the city. A surge of love, an urge to help mankind overcomes her.

[Lucien is efficiently serving customers at the grocery while Collignon is absent]
Madeleine Wallace: Where's the owner?
Lucien: Shhh! Sleeping in the cauliflower!

Joseph: [to Hipolito] Cram it, failure!

Mr. Collignon: [whispering to Amelie] Bre-to-deau. But if I say it, it won't count. I'm senile.
Mrs. Collignon: Ignore him. He's senile. See what he's done to my laurel? His old job was punching metro tickets. Now he gets up every night to punch holes in my laurel!
Mr. Collignon: We all need a way to relax.

Gina: Absence makes...
Nino Quincampoix: ...the heart grow fonder.

Postado por Gabi às 19h42
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I know who you are. I love you. I love everything about you that hurts.

eu vou refazer-te, meu blog.
Marylin passou.
quero simpicidade.

E preciso escrever.

Postado por Gabi às 18h34
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É o melhor filme ever, é sim, é sim, é sim!

Stella: I never listen to you when you're being morbid.

Blanche DuBois: Is there something wrong with me?

Blanche DuBois: Please don't get up.
Stanley Kowalski: Nobody's going to get up, so don't get worried.

Stella: You think you're going bowling now?

Blanche DuBois: But some things are not forgivable. Deliberate cruelty is not forgivable! It is the one unforgivable thing, in my opinion, and the one thing of which I have never, never been guilty.

Blanche DuBois: [telephone rings]
[rises out of seat]
Blanche DuBois: That's for me, I'm sure.
Stanley Kowalski: [pushes her back down roughly] Just keep your seat, I'm not so sure.

Stanley Kowalski: [to Blanche] Will you shut up!
[Resumes talking on the phone]
Stanley Kowalski: No, we got a noisy woman in the place.

Blanche DuBois: This old maid, she had a parrot that cursed a blue streak and knew more vulgar expressions than Mr. Kowalski.

Stanley Kowalski: Some canary bird...

Stanley Kowalski: Hey, toots! Canary bird, will you get out of the bathroom!
[pounds on the door]

Blanche DuBois: Young, young man. Did anyone ever tell you you look like a young prince out of the 'Arabian Nights'?

Blanche DuBois: Oh, Stanley! What sign were you born under?
Stanley Kowalski: What sign?
Blanche DuBois: Astrological sign. I'll bet you were born under Aries. Aries people are forceful, dynamic, they dote on noise. They love to bang things around.
Stella: Stanley was born just five minutes after Christmas.
Blanche DuBois: Capricorn - the goat!
[long silence follows as Stanley stares at Blanche]

Stella: He smashed all the lightbulbs with the heel of my slipper.
Blanche DuBois: And you let him? Didn't run, didn't scream?
Stella: Actually, I was sorta thrilled by it.

Mitch: I like you to be exactly the way that you are, because in all my experience, I have never known anyone like you.
[Blanche laughs suddenly]

Blanche DuBois: Oh look, we have created enchantment.

Blanche DuBois: I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action.
Mitch: I guess we must strike you as being a pretty rough bunch.
Blanche DuBois: I'm very adaptable to circumstances.

Blanche DuBois: Tarantula was the name of it. I stayed at a hotel called the Tarantula Arms.
Mitch: Tarantula Arms?
Blanche DuBois: Yes, a big spider. That's where I brought my victims. Yes, I've had many meetings with strangers.

Stanley Kowalski: I never met a dame yet that didn't know if she was good-looking or not without being told, and there's some of them that give themselves credit for more than they've got.

Blanche DuBois: Whoever you are, I have always depended on the kindness of strangers.

Blanche DuBois: I know I fib a good deal. After all, a woman's charm is 50% illusion.

Blanche DuBois: I don't want realism. I want magic! Yes, yes, magic. I try to give that to people. I do misrepresent things. I don't tell truths. I tell what ought to be truth.

Stanley Kowalski: Hey, STELLA.

Mitch: Poker should not be played in a house with women.

Stanley Kowalski: How 'bout cuttin' the re-bop?

Blanche DuBois: I said I was sorry three times!

Stanley Kowalski: Be comfortable. That's my motto up where I come from. You gonna shack up here? Well, I guess I'm gonna strike you as being the unrefined type, huh?

Stanley Kowalski: Now will you just open your eyes to this stuff here. Now I mean, what - has she got this stuff out of teacher's pay?... Will you look at these fine feathers and furs that she comes to bring herself in here. What is this article? That's a solid gold dress, I believe... Now what is that? There's a treasure chest of a pirate... That's pearls, Stella, ropes of 'em. What is your sister - a deep sea diver? Bracelets, solid gold. (To Stella) Where are your pearls and gold bracelets?... And here you are. Diamonds. A crown for an empress... Here's your plantation Stella, right here... Well, the Kowalskis and the DuBois - there's just a different notion on this.

Blanche DuBois: My, but you have an impressive, judicial air.
Stanley Kowalski: You know, if I didn't know that you was my wife's sister, I would get ideas about you... Don't play so dumb. You know what.

Blanche DuBois: You're married to a madman.
Stella: I wish you'd stop taking it for granted that I'm in something I want to get out of.
Blanche DuBois: What you are talking about is desire - just brutal Desire. The name of that rattle-trap streetcar that bangs through the Quarter, up one old narrow street and down another.
Stella: Haven't you ever ridden on that streetcar?
Blanche DuBois: It brought me here. Where I'm not wanted and where I'm ashamed to be.
Stella: Don't you think your superior attitude is a little out of place?
Blanche DuBois: May I speak plainly?... If you'll forgive me, he's common... He's like an animal. He has an animal's habits. There's even something subhuman about him. Thousands of years have passed him right by, and there he is. Stanley Kowalski, survivor of the Stone Age, bearing the raw meat home from the kill in the jungle. And you - you here waiting for him. Maybe he'll strike you or maybe grunt and kiss you, that's if kisses have been discovered yet. His poker night you call it. This party of apes.

Stanley Kowalski: You're gonna kill who, you dumb jerk? You don't even know when you get wised up. Come on.
Mitch: You don't have to wise me up.

Stanley Kowalski: She is as famous in Oriel as if she was the President of the United States, only she is not respected by any party.

Stanley Kowalski: She moved to the hotel called Flamingo which is a second class hotel that has the advantages of not interfering with the private and social life of the personalities there. Now the Flamingo is used to all kinds of goings-on. But even the management of the Flamingo was impressed by Dame Blanche. And in fact, they were so impressed that they requested her to turn in her room-key for permanently. And this, this happened a couple of weeks before she showed here... The trouble with Dame Blanche was that she couldn't put on her act any more in Oriel because they got wised up. And after two or three dates, they quit and then she goes on to another one, the same old line, the same old act, and the same old hooey. And as time went by, she became the town character, regarded not just as different but downright loco and nuts. She didn't re. sign temporarily because of her nerves. She was kicked out before the spring term ended. And I hate to tell you the reason that step was taken. A seventeen-year-old kid she got mixed up with - and the boy's dad learned about it and he got in touch with the high-school superintendent. And there was practically a town ordinance passed against her.

Stella: Mr. Kowalski is too busy making a pig of himself... Your face and your fingers are disgustingly greasy.

Stanley Kowalski: Now that's how I'm gonna clear the table. Don't you ever talk that way to me. 'Pig,' 'Pollack,' 'disgusting,' 'vulgar,' 'greasy.' Those kind of words have been on your tongue and your sister's tongue just too much around here. What do you think you are? A pair of queens? Now just remember what Huey Long said - that every man's a king - and I'm the King around here, and don't you forget it.

Stanley Kowalski: I am not a Pollack. People from Poland are Poles. They are not Pollacks. But what I am is one hundred percent American. I'm born and raised in the greatest country on this earth and I'm proud of it. And don't you ever call me a Pollack.

Stanley Kowalski: Listen, baby, when we first met - you and me - you thought I was common. Well, how right you was. I was common as dirt. You showed me a snapshot of the place with them columns, and I pulled you down off them columns, and you loved it, having them colored lights goin'. And wasn't we happy together? Wasn't it all okay till she showed here? And wasn't we happy together? Wasn't it all OK? Till she showed here. Hoity-toity, describin' me like a ape.

Mitch: Oh I don't mind you being older than what I thought. But all the rest of it. That pitch about your ideals being so old-fashioned and all the malarkey that you've been dishin' out all summer. Oh, I knew you weren't sixteen anymore. But I was fool enough to believe you was straight."

Blanche DuBois: Straight? What's 'straight'? A line can be straight, or a street. But the heart of a human being?

Blanche DuBois: Marry me, Mitch.
Mitch: No, I don't think I want to marry you anymore... No, you're not clean enough to bring into the house with my mother.

Stanley Kowalski: How about a few more details on that subject... Let's cop a gander at the bill of sale... What do you mean? She didn't show you no papers, no deed of sale or nothin' like that?... Well then, what was it then? Given away to charity?... Oh I don't care if she hears me. Now let's see the papers... Now listen. Did you ever hear of the Napoleonic code, Stella?... Now just let me enlighten you on a point or two... Now we got here in the state of Louisiana what's known as the Napoleonic code. You see, now according to that, what belongs to the wife belongs to the husband also, and vice versa... It looks to me like you've been swindled baby. And when you get swindled under Napoleonic code, I get swindled too and I don't like to get swindled... Where's the money if the place was sold?

Stanley Kowalski: Take a look at yourself here in a worn-out Mardi Gras outfit, rented for 50 cents from some rag-picker. And with a crazy crown on. Now what kind of a queen do you think you are? Do you know that I've been on to you from the start, and not once did you pull the wool over this boy's eyes? You come in here and you sprinkle the place with powder and you spray perfume and you stick a paper lantern over the light bulb - and, lo and behold, the place has turned to Egypt and you are the Queen of the Nile, sitting on your throne, swilling down my liquor. And do you know what I say? Ha ha! Do you hear me? Ha ha ha!

Stanley Kowalski: You think I'm gonna interfere with you?... You know, maybe you wouldn't be bad to interfere with.

[as Stanley's friends gather to play poker]
Stella: The blind are leading the blind!

Stanley Kowalski: You know what luck is? Luck is believing you're lucky, that's all... To hold a front position in this rat-race, you've got to believe you are lucky

Stanley Kowalski: Tiger, tiger. Drop that bottle top. Drop it.

Stanley Kowalski: Hey you two hens, cut out that cacklin' in there.
Stella: You can't hear us...
Stanley Kowalski: Well you can hear me, now knock it off!

Postado por Gabi às 12h22
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Voltei. Agora vou colocar minhas imgs aqui e etc. Sim, te troquei por um diário.

Postado por Gabi às 22h39
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see, I'm still alive, babe.

Postado por Gabi às 14h29
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Possivelmente o meu preferido.

Limelight (1952)

Calvero: There's something about working the streets I like. It's the tramp in me I suppose.

Calvero: Time is the best author. It always writes the perfect ending.

Terry: I thought you hated the theater?
Calvero: I also hate the sight of blood, but it's in my veins.

Calvero: That's all any of us are: amateurs. We don't live long enough to be anything else.

Terry: I'm sorry.
Calvero: You should be. A girl like you wanting to throw your life away. When you reach my age you want to cling onto it.

Calvero: There's greatness in everyone.

Calvero: Life can be wonderful if you're not afraid of it.

Calvero: What a day! The sun's shining, the kettle's singing, *and* we've paid the rent. There's going to be an earthquake, I know it, I know it, I know it.

Calvero: I'm an old sinner, nothing shocks me.

Terry: Worms can't smile!
Calvero: Oh, how would you know, have you ever appealed to their sense of humour?

Postado por Gabi às 20h33
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Sra. Inércia

Inércia parece nome de prima/tia do interiorr.
Tá surgindo idéias! Um dia escrevo um monólogo sobre a Sra. Inércia:
Uma mulher preguiçosa pra caramba, mas tem tantos ideais. Ou vontade de tê-los.
Inércia não consegue se movimentar. Quer fazer alguma coisa. Mas não consegue. Não sabe o que fazer.
Sou eu. A Sra. Inércia.

Mudando de assunto, não foi pela inércia que eu vim aqui. (Frase ambígua interessante, é óbvio que eu não vim aqui por inércia). Ai, to saindo demais do meu rumo, deixe me lembrar porque vim.
Café me faz mal. Sinto me dizer isto, mas é a minha conclusão do dia. Duas xícaras me reviraram o estômago, ao invés de me acordarem pra estudar matemática. Ai só de pensar em estudar matemática me vem um ânimo!!! Nem História tenho vontade. Queria ingerir mais café. Mas me enojo só de pensar. Legal, to com repulsa de café justo hoje que eu precisava!

Aliás, preciso desabafar contra um fantasma chamado Faltadesorte (não é azar) que vem me assombrando ultimamente. Minha vida é assombrada pelo Sr. Faltadesorte e a Sra. Coincidência. Eles são casados, sabia? E há quem pense que a "Coin" é boa! Rá, idiotas! Confundem ela com um tal de Mr. Destiny, suponho que sejam irmãos, mas não acredito na existência dele. Pelo menos atualmente. Ele nunca apareceu pra mim.. Se bem que dizem que ele tá o tempo todo apor aí. Por isso não acredito nele. Não acho que tudo tem interpretações beyond. É por isso que eu virei membro definitivo do clã das Paranóicas; por tentar dar significado a tudo. Acho que ainda não estou curada.

Opa, post inspirado esse! Gostei! =D
Another day eu continuo!

Postado por Gabi às 15h45
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branco
é assim a minha vida e a minha alma

Postado por Gabi às 20h08
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Companheirismo.

         Satisfação do dia
                                 Frustração do dia
         Trecho ou frase do dia
         Pergunta sem resposta do dia                   Situação surreal do dia

                                          Medo do dia

Necessidade instantânea do dia. Musica do dia

Postado por Gabi às 20h28
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Jennifer Hudson

Preciso expressar o meu ódio por essa mulher.
Primeiro que ela me ganhou o Oscar pelo primeiro filmes que ela fez na vida, sem nunca ter aulas e sem saber o que é atuação. Eu chamo isso de sorte. A mulher queria ser cantora!! E devia abandonar a pseudo vida dela de atriz e ir cantar bostinhas a la Beyoncè.
Agora a criatura me aparece no Oscar com a cara de sonsa dela e um vestido branco que deixou ela mais gorda que ela já é! E alguém tinha que ter avisado ela que esse estilo grego não combina com ela. Não mesmo. Agora expresso a minha inveja por ter entregado o Oscar pro Javier Bardem. Urgh.

Postado por Gabi às 16h04
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Minhas falas preferidas de filmes

A Seleção. Sujeito a mudanças.

[Closer (2004)]
Dan: I fell in love.
Alice: Oh, as if you had no choice? There's a moment, there's always a moment, "I can do this, I can give into this, or I can resist it", and I don't know when your moment was, but I bet you there was one.

[Elizabethtown (2005)]
Claire Colburn: I'm impossible to forget, but I'm hard to remember.
---
Claire Colburn: I think I've been asleep most of my life.
Drew Baylor: Me too.

[Big Fish (2003)]
Young Ed Bloom: She said that the biggest fish in the river gets that way by never being caught.
---
Will Bloom: A man tells his stories so many times that he becomes the stories. They live on after him, and in that way he becomes immortal.

[Breakfast at Tiffany's (1961)]
Paul Varjak: I love you.
Holly Golightly: So what.
Paul Varjak: So what? So plenty! I love you, you belong to me!
Holly Golightly: [tearfully] No. People don't belong to people.
Paul Varjak: Of course they do!
Holly Golightly: I'll never let ANYBODY put me in a cage.
Paul Varjak: I don't want to put you in a cage, I want to love you!

[Mona Lisa Smile (2003)]
Charlie Stewart: My parents say my future is right on the horizon.
Connie Baker: Tell them the horizon is an imaginary line that recedes as you approach it.
---
Katherine Watson: I thought that I was headed to a place that would turn out tomorrow's leaders, not their wives.

Postado por Gabi às 12h09
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Assitirei todos.... um dia!

Legenda: Em negrito, os que já assisti com certeza. Em cinza, os que eu tenho (e consequentemente, já assisti)

Stats:
Já asistidos = 15 - faltam 65!
Possuídos = 2

80° 2008
No Country for Old Men
Onde os fracos não têm vez

79° 2007
The Departed
Os infiltrados

78° 2006
Crash
Crash – no limite

77° 2005
Million Dollar Baby
Menina de ouro

76° 2004
The Lord of the Rings: The Return of the King
O Senhor dos Anéis: o retorno do rei

75° 2003
Chicago
Chicago

74° 2002
A Beautiful Mind
Uma mente brilhante

73° 2001
Gladiator
Gladiador

72° 2000
American Beauty
Beleza americana

71° 1999
Shakespeare in Love
Shakespeare apaixonado

70° 1998
Titanic
Titanic

69° 1997
The English Patient
O paciente inglês

68° 1996
Braveheart
Coração valente

67° 1995
Forrest Gump
Forrest Gump - O contador de histórias

66° 1994
Schindler’s List
A lista de Schindler

65° 1993
Unforgiven
Os imperdoáveis

64° 1992
The Silence of the Lambs
O silêncio do inocentes

63° 1991
Dances with Wolves
Dança com lobos

62° 1990
Driving Miss Daisy
Conduzindo Miss Daisy

61° 1989
Rain Man
Rain Man

60° 1988
The Last Emperor
O último imperador

59° 1987
Platoon
Platoon

58° 1986
Out of Africa
Entre dois amores

57° 1985
Amadeus
Amadeus

56° 1984
Terms of Endearment
Laços de ternura

55° 1983
Gandhi
Gandhi

54° 1982
Chariots of Fire
Carruagens de fogo

53° 1981
Ordinary People
Gente como a gente

52° 1980
Kramer vs. Kramer
Kramer versus Kramer

51° 1979
The Deer Hunter
O franco-atirador

50° 1978
Annie Hall
Noivo neurótico, noiva nervosa

49° 1977
Rocky
Rocky, um lutador

48° 1976
One Flew Over the Cuckoo's Nest
Um estranho no ninho

47° 1975
The Godfather: Part II
O poderoso chefão II

46° 1974
The Sting
Golpe de mestre

45° 1973
The Godfather
O poderoso chefão

44° 1972
The French Connection
Operação França

43° 1971
Patton
Patton — rebelde ou herói?

42° 1970
Midnight Cowboy
Perdidos na noite

41° 1969
Oliver!
Oliver!

Postado por Gabi às 19h33
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40° 1968
In the Heat of the Night
No calor da noite

39° 1967
A Man for All Seasons
O homem que não vendeu sua alma

38° 1966
The Sound of Music
A noviça rebelde

37° 1965
My Fair Lady
My Fair Lady

36° 1964
Tom Jones
Tom Jones

35° 1963
Lawrence of Arabia
Lawrence da Arábia

34° 1962
West Side Story
Amor sublime amor

33° 1961
The Apartment
Se meu apartamento falasse

32° 1960
Ben-Hur
Ben-Hur

31° 1959
Gigi
Gigi

30° 1958
The Bridge on the River Kwai
A ponte do Rio Kwai

29° 1957
Around the World in Eighty Days
A volta ao mundo em 80 dias

28° 1956
Marty
Marty

27° 1955
On the Waterfront
Sindicato de ladrões

26° 1954
From Here to Eternity
A um passo da eternidade

25° 1953
The Greatest Show on Earth
O maior espetáculo da Terra

24° 1952
An American in Paris
Sinfonia de Paris

23° 1951
All About Eve
A malvada

22° 1950
All the King's Men
A grande ilusão

21° 1949
Hamlet
Hamlet

20° 1948
Gentleman's Agreement
A luz é para todos

19° 1947
The Best Years of Our Lives
Os melhores anos de nossas vidas

18° 1946
The Lost Weekend
Farrapo humano

17° 1945
Going My Way
O bom pastor

16° 1944
Casablanca
Casablanca

15° 1943
Mrs. Miniver
A rosa da esperança

14° 1942
How Green Was My Valley
Como era verde o meu vale

13° 1941
Rebecca
Rebecca - A mulher inesquecível

12° 1940
Gone With the Wind
... E o vento levou

11° 1939
You Can't Take It with You
Do mundo nada se leva

10° 1938
The Life of Émile Zola
Émile Zola

9° 1937
The Great Ziegfeld
Ziegfeld - O criador de estrelas

8° 1936
Mutiny on the Bounty
O grande motim

7° 1935
It Happened One Night
Aconteceu naquela noite

6° 1934
Cavalcade
Cavalgada

5° 1933
Grand Hotel
Grand Hotel

4° 1932
Cimarron
Cimarron

3° 1931
All Quiet on the Western Front
Sem novidades no front

2° 1930
The Broadway Melody
Melodia na Broadway

1° 1929
Wings
Asas

Postado por Gabi às 19h33
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Oi, eu continuo viva.

Olha, eu que fiz esse template! (cof cof cof). Bom, nigm vai vê-lô mesmo...
Well, não estou a fim de escrever. Lutei muito com esse vídeo, espero que ainda passe:

Postado por Gabi às 23h28
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Eu ainda estou viva!

Não, as aulas não me mataram. Mas estão quase lá!
Lembrete: fazer um post sobre cinema + minha vida.

Uma lista de filmes. Não é minha, mas quero guardar:
01 – Cidadão Kane – Orson Welles
02 – O Poderoso Chefão – Francis Ford Coppola
03 – Sindicato dos Ladrões – Elia Kazan
04 – Um corpo que Cai – Alfred Hitchcock
05 – Casablanca –Michael Curtiz
06 – 8 ½ - Frederico Fellini
07 – Lawrence da Arábia – David Lean
08 – A regra do jogo – Jean Renoir
09 – O encouraçado Potemkin – Sergei Eisenstein
10 – Rastros de ódio – John Ford
11 – Cantando na Chuva – Gene Kelly e Stanley Donen
12 – Crepúsculo dos deuses – Billy Wilder
13 – Persona – Ingmar Bergman
14 – O mensageiro do Diabo – Charles Laughton
15 – 2001-Uma odisséia no espaço – Stanley Kubrick
16 – Os sete Samurais – Akira Kurosawa
17 – O Leopardo – Luchino Visconti
18 – Taxi Driver – Martin Scorsese
19 – Era uma vez em Tóquio – Yasujiro Ozu
20 – Fitzcarraldo – Werner Herzog
21 – Acossado – Jean Luc Godard
22 – Jules e Jim-uma mulher para dois – François Truffaut
23 – O conformista – Bernardo Bertolucci
24 – Em busca do Ouro – Charles Chaplin
25 – Metrópolis – Fritz Lang
26 – O sétimo selo – Ingmar Bergman
27 – A aventura – Michelangelo Antonioni
28 – Amacord – Frederico Fellini
29 – Viridiana – Luis Buñuel
30 – Noivo Neurótico, Noiva Nervosa – Woody Allen
31 – O Nascimento de uma Nação – D. W. Griffith
32 – Apocalyse Now – Francis Ford Coppola
33 – Era uma vez no Oeste – Sergio Leone
34 – Assim Caminha a Humanidade – George Stevens
35 – Psicose – Alfred Hitchcock
36 – O Martírio de Joana D’arc – Carl Theodor Dreyer
37 – Touro Indomável – Martin Scorsese
38 – Olympia – Leni Riefenstahl
39 – O Falcão Maltês – John Huston
40 – Deus e o Diabo na terra do Sol – Glauber Rocha
41 – Dr.Fantástico – Stanley Kubrick
42 – Roma, Cidade Aberta – Roberto Rossellini
43 – A doce vida – Frederico Fellini
44 – Chinatown – Roman Polanski
45 – A felicidade não se compra – Frank Capra
46 - …E o vento levou – Victor Fleming
47 – Tempos Modernos – Charles Chaplin
48 – A um passo da eternidade – Fred Zinnemann
49 – O sacrifício – Tarkovski
50 – Laranja Mecânica – Stanley Kubrick
51 – A general – Buster Keaton
52 – O homem-elefante – David Lynch
53 – O mágico de Oz – Victor Fleming
54 – Querelle – Rainer Werner Fassbinder
55 – A primeira Noite de um homem – Mike Nichols
56 – Morte em Veneza – Luchino Visconti
57 – A última sessão de cinema – Peter Gobdanovich
58 – Os bons companheiros – Martin Scorsese
59 – Blade Runner – Ridley Scott
60 – A Malvada – Joseph L. Mankiewicz
61 – Nosferatu – F.W. Murnau
62 – O último Tango em Paris – Bernardo Bertolucci
63 – Ladrões de Bicicleta – Vittorio De Sica
64 – Asas do desejo – Wim Wenders
65 – Pulp Fiction – Quentin Tarantino
66 – Repulsa ao Sexo – Roman Polanski
67 – Crimes e Pecados – Woody Allen
68 – Uma Rua Chamada pecado – Elia Kazan
69 – Butch Cassidy e Sundance Kid – George Roy Hill
70 – Os Imperdoáveis – Clint Eastwood
71 – Patton-Rebelde ou herói – Franklin J. Schaffner
72 – Tudo sobre minha mãe – Pedro Almodóvar
73 – Um Lugar ao Sol – Georges Stevens
74 – Um Estranho no Ninho – Milos Forman
75 – Amor à Flor da Pele – Wong Kar-Wai
76 – Hiroshima, meu amor – Alain Resnais
77 – Kaos – Irmãos Taviani
78 – Brazil-O Filme – Terry Gillian
79 – Quanto mais quente melhor – Billy Wilder
80 – Cidade de Deus – Fernando Meirelles
81 – Os homens preferem as loiras – Howard Hawks
82 – Um cão Andaluz – Luis Buñuel
83 – Los Angeles-Cidade proibida – Curtis Hanson
84 – Pixote-A lei do mais fraco – Hector Babenco
85 – Ben-Hur – Willian Wyler
86 – Fantasia - Walt Disney
87 – Sem Destino – Dennis Hopper e Peter Fonda
88 – Dogville – Lars Von Trier
89 – O império dos sentidos – Nagisa Oshima
90 – Um convidado bem trapalhão – Blake Edwards
91 – A lista de Schindler – Steven Spielberg
92 – Guerra nas Estrelas – George Lucas
93 – O Pântano – Lucrecia Martel
94 – Cabaré – Bob Fosse
95 – Operação França – Willian Friedkin
96 – King Kong – Merian Cooper e Ernest Schoedsack
97 – Invasões Bárbaras – Denys Arcand
98 – Fargo – Joel e Ethan Coen
99 – M.A.S.H. – Robert Altman
100 – Lavoura Arcaica – Luis Fernando Carvalho

Em negrito os que eu com certeza já assisti.
Status: 17/100

Postado por Gabi às 14h42
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